There is a certain shade of blue that inspires me like a mystical experience. It genuinely makes me gasp in awe. Its beauty is heartbreaking.
It’s the same blue as a mundane Reckitt’s blue bag, used in the past to keep your cotton bed sheets white in the wash, as they have a tendency to go yellow with age.
At the age of about seven, when I was sitting in the back room of “the shop opposite” my village home, where my mother worked, I was stung on the ear by a wasp or bee.
One of the other shop assistants immediately put a wet Reckitt’s blue bag against my ear, but I have to say it only made it worse. They say you put vinegar on a wasp sting but blue bag on a bee sting, as a wasp sting was believed to be alkaline and a bee sting acidic.
Part of this is an old wives’ tale – a wasp sting is pretty neutral and a bee sting won’t get much better until you pull out the sting. It was probably a wasp sting, anyway.
I must have looked in a mirror, as I remember my ear being blue.
That’s a not-too-cheerful memory of this particular blue colour, but the others are far more uplifting.
The colour was brought to mind again only the other day, when I passed a posh shoe shop with a display of blue shoes in the window.
I once went to a wonderful exhibition of Pre-Raphaelite art in London in the 1970s and as there was too much to take in, I decided to focus on the details of one particular painting, so I would at least remember something. It was this one, Mariana by John Everett Millais, painted in 1851.
Mariana is a character from Shakespeare’s Measure For Measure. She is dumped by her fiancé Angelo when her dowry is lost in a shipwreck.
But it wasn’t the plot that interested me, nor the fact that Mariana might be saying “Does my bum look big in this?” No, it was the perfect blue colour of her velvet dress. I inhaled the colour for some time…
It’s the same inspirational colour to me as a particular pane of glass in the wonderful windows of King’s College Chapel in Cambridge, created by Flemish craftsmen during the reign of Henry VIII, between 1515 and 1546.
I went there often in the 1970s and always focused on the one particular area of blue grass, up on the top right hand corner if you are looking towards the main window. It’s not even in the main window. But it’s the focus for me.

There was one particular pane of heavenly blue glass in King's College Chapel, Cambridge - picture by Davidjh25

Luxury Bristol blue glass decanter - click on the picture to go to the Bristol Blue Glass (South West) website
It’s also the same colour as Bristol blue glass . Glassmaking became established in Bristol during the reign of James I, when the use of firewood for trade was banned. Bristol had coal for fuel in the woodland to the north and raw materials in the form of sand from the Redcliffe caves, kelp from Bridgwater and clay from further up the River Severn. It also had a flourishing port.
Bristol blue glass was first made in the 1700s by combining the newly invented lead crystal with cobalt oxide.
The industry declined in the late 19th century and no Bristol blue glass was made from 1922 until 1998, when it was revived by James Adlington. Today there are two makers based in Bristol: Bristol Blue Glass and Bristol Blue Glass (South West).
As a child I once bought my mother a (cheap) sugar bowl, in silver effect with a blue glass liner – I still have the liner somewhere, although the fake silver shell has long rotted and been thrown away.
The same glass is used as the liner of some old open silver salt cellars, which I collected at one time. It protects the silver from corrosion by the salt.
Finally, it is famously the colour of the original Welsh Ty Nant spring water bottle – which I’m sure I once saw in a scene from Babylon 5. Iconic, you might say…
You may also be interested in my blog post Lost between Wedgwood blue and eau-de-nil





This is a link from the http://www.bristolblueglass.com website…
Thanks so much for pointing Bristol blue glass fans to my blog!
I bought an e.p.n.s. sugar bowl with a blue glass liner for my mother nearly 60 years ago. I managed to break the glass a couple of weeks back. I am getting Bristol Blue South West to make another one for me – it will be a bit expensive, but worth it for the sentimental value. I collect Bristol Blue among other English glass, and have examples from 1730 to the present day. It is a wonderful colour.
Thank you so much for commenting! I hope your replacement works out well. I wonder if you collect cranberry glass as well – that goes through phases of being fashionable or not, mainly driven by the American market, I think. I wonder as well if our transAtlantic friends have discovered Bristol Blue? Best wishes and happy collecting…
My favourite colour is blue and the shade you have depicted here is indeed a wonderful, deep, mesmerising shade. Beautiful. The Millais is one of my favourite paintings too.
I only very recently discovered that blue flowers are associated with the 18th-19th century German Romantic movement – the Romantic theorist Novalis in particular: http://en.wikipedia.org/wiki/Blue_Flower
I can’t wait until my cornflowers come out.
Thanks for a very interesting blog posting once again.
Thanks for all that. I must read more on that Novalis/blue flower info – I hadn’t heard of that. You learn something new every day!
Which is the way I like it!
Have a good day…
x
I have quite a few of those Ty-Nant bottles that I have saved to turn in to vases. Well, originally I was going to turn them in to vases if I ever remarried – now I am thinking of making a concrete countertop with glass embedded and using cobalt blue glass since that is my favorite color. I’ll need a lot of bottles!
Make sure you make it sharp edges down! But I would love to see them made into vases!
Best wishes and thanks for dropping by